In a later scene, Alex was subjected to corrective treatment and reprogramming -- experimental aversion therapy imposed by the state in which he was behavioristically conditioned (with his eyes clamped wide-open in order to view scenes of violence in films while drugged to induce nausea and forced to listen to his beloved Beethoven) to suppress his violent and aggressive sexual drives and urges - and in the process gave up his own individual and personal rights to become a model citizen.

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You're doing it all wrong" - when she deviated) while she kneeled between his legs. The subversive film was hotly debated when it was released - both highly praised and objectionable for its bleak outlook, and for its pairing of comedy with 'ultra-violence' - including two rape scenes.

After accepting payment of $100, and as he reclined back on a couch, she reassured him as she stroked his thighs: "I don't think we're gonna have any trouble tonight." She called him "a real man, a kind man" and then went on to encourage him to rise up and be manly: strength, from an inner power so strong that every act, no matter what, is more proof of that power. That's why they try to cut ya down, because your knowledge of yourself and them is so right, so true, that it exposes the lies by which they, every scheming one of them, live by. [Two other films that were highly criticized a few years earlier for breaking similar taboos were Sam Peckinpah's bloody western The Wild Bunch (1969), and Bonnie and Clyde (1967).]The dystopic film about fascist social conditioning and free will, adapted from Anthony Burgess' novel, was heavily criticized and opposed by religious groups for its sexual and violent content.

The final explicit scene emphasized the enormity of the state's hypocrisy.

In his Ascot fantasy, a nude Alex had found peace and fantasized copulating (making love to/raping?

Jonathan soon resented Bobbie's hints at becoming more domestic and trapped-hitched, as she vulnerably drowned in depressing despair. Finding himself dysfunctionally impotent, Jonathan resorted to using the pleasuring services of paid prostitute Louise (Rita Moreno in a cameo) to massage his ego (and more) in the film's final scene.

He then berated and insulted her ("Answer me, you ball-busting, castrating, son of a cunt bitch! Obsessively, he had her recite a carefully-worded script (he yelled at her - "God-damn it! At the time, Stanley Kubrick's randomly ultra-violent, over-indulgent, graphically-stylized film of the near future - and most controversial film - was one of only two movies rated X on its original release (the other was Midnight Cowboy (1969)) that was nominated for a Best Picture Academy Award.

) with a beautiful blonde woman (Katya Wyeth) who wore only black silk stockings.

They were frolicking in slow-motion on piles of white snow, while two rows of genteel-looking, Victorian Londoners (ladies and gentlemen), the men dressed in top hats and the women carrying parasols, looked on and sedately applauded toward them.

It illustrated their fragile male egos and bravado, as it further pushed the boundaries of sex in cinema and challenged the ratings system and the general morals of the time - although the film had little in the way of explicit sex.